More progress on the 1963 Witcomb

 It's taken a while, but I've finally made some more progress on my 1963 Witcomb fixed gear bike.  After giving the frame and all the parts a really good cleaning, I started putting it back together.  I've kept most of the original parts, with a few significant changes for practical reasons.

Original tire and bent rim

First and probably biggest change, I rebuilt the wheels, using new stainless steel DT spokes, DT brass nipples, and some nice old MAVIC MA2 clincher style rims, laced to the original Campagnolo hubs.  The original rims were MAVIC Championnat du Monde, with some very old tubular (aka sewup) tires.  One of the two rims, I think the front, had a very serious dent in it, which rendered it useless.  I thought seriously about re-building with sewups, but the more I thought about it, the less appealing that was.  Sure, that would be the "correct" choice, but I really want this bike to be something I can ride regularly without a lot of worry.  As nice as sewups ride, the care and feeding is frankly more trouble than I want for this bike.

Rebuilt wheels and new tires

When building the wheels, I decided I would mimic the original spoke lacing patterns for the front and rear wheels.  The front wheel has 32 spokes, and were laced in a "cross three" pattern, while the rear has 36 spokes, laced "cross four."  While most production bikes would have had 36 spokes in both wheels, laced identically, a small, custom builder like Witcomb might do something different.  The rear wheel seems more weight and stress, so a "beefier" build makes a lot of sense.  Thus more spokes, with more crossings of each spoke. 

I do love the classic look of tan sidewalls, and a nice round cross-section and smooth tread, so I opted for a set of Rene Herse 700x32c Stampede Pass tires.  A bit fatter than what would have been on the bike originally, but I like some cush to my ride these days.  The Rene Herse tires are light and fast and supple, so these should make for a lovely ride.

Original headset

Another change I made was to swap out the headset.  The original was a Campagnolo Record, but someone somewhere along the line had painted the upper cup yellow, to match the frame.  I tried my best to clean the paint off, but the end result didn't look good at all, so instead I installed new loose bearing headset, the Tange Levin, a classic that looks a lot like the original Campy, works just as well, and doesn't cost a king's ransom, like a period correct Campy one would.  I figured from 5 feet away, nobody will know.

Finally, a new rear sprocket was installed, as well as a new chain.  The reason for this is because the original gearing was a bit high for the kind of riding I'm likely to do on this bike.  First, I'll be dealing with hills, and I'm also not as young as I once was.  So, instead of the 16 tooth sprocket originally installed, which gave a gear of 79 gear inches, I installed an 18 tooth, for 70 gear inches. 

Original brake levers

So, what's left?  Well, obviously, I need to wrap the handlebars, and since this is a classic from the 60s, I'll be using cotton tape for that.  Black would probably be the most straightforward choice, but I'm toying with other options.  You can't really tell from the photo, but the bike had blue cotton tape when I got it.  More important than tape, I need to install a front brake.  Some people ride "brakeless fixies" but not me, thanks.  I want a front brake on there just in case the chain breaks or comes off, and I also find it handy sometimes while riding.  The bike appears to have been built to have a front brake, and it had an old Weinmann when I got it, but it was not in good shape, so I will be installing something else.  I have a Universal Mod. 68 (introduced five years after the bike was built, but close enough for me) that I'm planning to install, with a matching lever.  The previous owner had a "dummy" lever on the right hand side, basically just the body without the lever, and I might do the same, as it makes a convenient hand grip when riding.

Oh, one final thing, pedals!  I'm going to put some modern, "clipless" SPD-compatible pedals on the bike to start with.  Yeah, they'll look a little weird, but I'm out of practice at flipping over and inserting my foot in toe clips on a fixed gear bike, so the SPDs will be easier to start with.  Eventually, I plan to put a more traditional "track" pedal with toe clips on there.  I actually like riding in toe clips sometimes, and they just seem right for this old bike.

For more on this bike:

Sometimes Bikes Find Me! 

1963 Witcomb Update

For an album of photos:

1963 Witcomb Fixed Gear Bike

What it looked like when I first got it.

What it looks like today!

 

If anyone had ever told me... (a series)

If anyone had ever told me 20 years ago that I would end up living with and loving three adorable cats, I would never have believed them.

But here I am, with three little fur buddies, and I love them all, and wouldn't part with them.

How the heck did this happen? 

 Well, before I get to that, why would it have seemed so unlikely to me 20 years ago?

 First and foremost, while my family had two different dogs when I was a kid (a Beagle and a Brittany many years apart), we never had cats, and I honestly can't remember any friends who had cats either.  So, they were pretty much an unknown to me until my teen years, when my older sister Nancy had a couple of cats.  I spent a lot of time at her house, because her then-husband Phil and I had launched a kite making company, and I would go over and work on kites with him whenever I could.

The good news here is that I got to spend some time with her two cats.  The bad news is, that even by my sister's recollection, one of them was, well, let's politely say "unpredictable."  My most vivid memory of Maggie was the day she was calmly perched on a table in the kite workroom, and I was petting her and she happily enjoyed it... for a time.  Suddenly, for no apparent reason, she erupted and I found myself with an angry ball of fur running up one arm, over my head, and down the other side of me, claws fully extending and uttering sounds of fury.  I didn't realize it at the time, but apparently my sister's German Shepherd had just appeared, and Maggie hadn't met him and freaked out.  To me, it seemed utterly unprovoked, and I never realized the dog was part of it until just a few years ago.

So, for many, many years, I was at best indifferent to cats, and certainly never imagined having any in my home.  Now and then I'd encounter one, but never one that in any way changed my thinking about cats.  Until my brother moved back from California just before my last year of college, and I got to know his little Manx, Savannah.  At first, we didn't really have much to do with each other, but at one point, I don't recall exactly why, I ended up taking care of her while Stephen was away for a week or so.  During that time, she became much friendlier toward me (the cynic in me said it was because I was the can opener), and even started to sleep in my bed at night.  The biggest downside to that was that she seemed fond of sleeping on my head, which isn't really something I'd recommend.  Anyway, I credit Savannah with the first chink in my anti-cat armor.

Savannah, around 1983, on my desk.

Fast forward to the early 2000s, when I started dating a woman with a cat named Tomas.  Now, I don't think even his human would claim Tomas was the rocket scientist of the cat world, but he couldn't have been a sweeter little guy.  Again, I was called upon for cat care a few times, and he and I gradually became pals.  Once Annie and I decided to move in together, we started discussing finding a sidekick for Tomas.  This lead to finding the wonderful Tybalt in a shelter, who from the start was meant to be my cat.  That little fellow really opened my eyes and my heart to cats, and gave me 16 wonderful years before he died in 2021.  (You can read more about him here.)

Tybalt in 2020, at the age of 15 or so.

Now, that explains how I came to have A cat, but not three.  When Tybalt was middle aged, I was busy transitioning to owning a bicycle shop, and also spending a lot of time over in Maryland with a woman I was seeing at the time.  At some point, with Christy's urging, I started thinking about a buddy for Tybalt.  On a visit to a shelter, seeking parakeets (for Christy), we met a little tabby that had just been captured that Christmas Eve, and had been named Tiny Tim as a result.  When let out of his cage to meet us, he strutted around like he owned the place.  He quickly won my heart, and after a prolonged delay and drama due to his contracting a respiratory infection in the shelter, he was renamed Jinx and finally came home to join Tybalt in my apartment.

Jinx at 4, in his classic Krazy Kitty Mode, 2017.

Jinx at 5, in a more mellow moment, 2018.

The two of them seemed to get along fine, though Jinx was a bit more boisterous than Tybalt liked sometimes, and in particular he seemed to like harassing Tybalt at the litter box, which lead to some issues for a while.  Still, over time they seemed to co-exist very well, and while they didn't sleep together or play a lot, they would groom each other and hang out nearby.

I only learned just how attached they'd apparently grown when Tybalt died in 2021, and Jinx suddenly developed a "barbering" (over-grooming) habit.  I missed Tybalt tremendously, but Jinx was always there for a cuddle, and he and I grew closer. By a coincidence, one of my employees at the bike shop had a young black cat that wasn't fitting in well with their older cat, so it was suggested I take Zero on as a pal for Jinx.  So, as of autumn of 2021, Jinx and Zero had really hit it off and I'd settled back into a two cat household.

Zero in an improvised cat bed on my desk, 2022.

And then I took my annual trip to a cabin at a state park in Pennsylvania, just after Thanksgiving, 2022.  If you follow this blog, you'll know what happened next, as that was the one post I shared in early 2023.  Yep, I found a cat at the cabin, and not for the first time either.  The first time it was a sweet girl cat with a collar and tags that I reunited with her humans after a six month separation.  The second, in 2022, well, he had no tags, no chip, no known humans or backstory, so he came home with me.  I named him Chester Proudpaw, making my little family a feline trio.

Chester in December 2023, a year after he came home with me.

So now, with three cats in a one bedroom apartment, I think I am officially a "cat person", something I never would have imagined years ago.  And something I wouldn't trade for the world.  Each of my cats has been a truly unique personality, something I wouldn't have guessed from my early experiences with cats.  

Tybalt was utterly attached and devoted to me, happily curling up in my lap or next to me at every opportunity and rarely letting me out of sight if I was home.  But he was very shy and skittish around strangers, and took a long time to warm up to people.  When I had to be out of town and someone else took care of him, more often than not, they'd get barely a glimpse of him at best, and often the only evidence he was around was that the food would be eaten and the litter box used.

Jinx was a lot more independent, especially when young, and lap time with him always felt a bit like a "drive by" situation.  That being said, from the very start, that guy has always given the best cat hugs, where he'll wrap his front paws around my neck and just hold on.  As he's gotten older, and especially after Tybs died, he's settled down a lot and is much more inclined to linger with me.  And while his "barbering" appears to be a thing of the past, he still enjoys grooming me, licking my beard and rubbing his face all over it, as well as grooming the other cats.

Zero is still pretty young, around four now I guess so he's still a bit more in the "drive by" mode affection-wise.  But with time, he's definitely come around to me being his human and the other guys as his pack, and he loves having other cats to wrestle and chase around and play with.  He's also one of the best and enthusiastic "biscuit makers" of any cat I've met.  The intensity with which he stares at me while kneading me is pretty entertaining.

And then there's Chester.  He reminds me a LOT of Tybalt, in markings, size and personality.  Thanks to the nights in the cabin, and bringing him to safety, he's quite bonded to me.  There were also a couple of weeks where I spent nights sleeping in my bike shop with him, while waiting for him to be checked out and then neutered by the vet before bringing him home to meet the others.  The big difference between him and Tybalt though is that Chester is not really shy or skittish around others, and generally loves attention.  He now comes to the shop with me often, when we are in the slower season and we keep all the doors closed except for customers and bikes going in and out.  He doesn't show any signs of interest in getting out, but we are all very attentive when ever he's in the shop to prevent any mishaps.  He's also become a bit of a local celebrity, named "Mayor's Pet of the Month" in the town newsletter last spring, and featured in a community service award the shop received last year.

Bikes@Vienna's 2023 Carole Wolfand Community Service award, featuring Chester.

So, here I am in my early 60s, with three cats, and loving it.

Chester, Zero, and Jinx, aka the Gang of Three, January 2024.

Intersections

Rear wheel and derailleur of my Mondia, taken with a Pentax ME 35mm SLR.

 One of the reasons I named this blog Spokes of a Wheel is because I find life sometimes is like a spoked bicycle wheel (or more precisely, the typical tangentially spoked wheel, using wire spokes, that cross...but that's not important right now) where parts of our lives intersect, sometimes in unexpected ways.  This post is about one such situation.

In the spring of 2022, my friend Phil's father died, and in the process of dealing with the usual pile of belongings we all leave behind, he came across some old film photography equipment that was his parents'.  He also had several film cameras and lenses of his own that he knew he would never use again, so knowing my penchant for collecting "old, rare things" (he also declared that I fall into that category, and I can't deny it), he contacted me to see if I might be interested in any or all of it.

 I'd actually been doing some film photography on and off over the last 20 years or so, despite primarily shooting digital now, so this was intriguing news.  We met up, both so he could hand off the gear and so we could spend some time taking nature photographs together.  It was a few days before I got a chance to really look at what he'd given me, but it was quite the haul!  I'll probably save the details for another post, but suffice to say it was a significant number of film SLR bodies and lenses, along with other miscellaneous accessories.

Now here's where we come to an intersection of sorts. Another friend and I had reconnected via Facebook some years ago, so I knew he was an avid photographer, and had a fondness for film.  Faced with a pile of cameras, and knowing that realistically I wasn't going to use them all, I reached out to see if he might be interested in any of them, or at least looking at them.  So we arranged to meet for lunch, the first time we'd seen each other since the early 80s.  We had a great time catching up, and my friend Dave was very happy to take the hand-off a few bits of camera gear.

Since then, I've gotten more excited about film photography again, and Dave has been a huge help with advice, and even some hands on time showing me how to process b&w film.  I had been shown many years ago, once by my dad, and again by a high school friend, but it was good to get a refresher from someone who does it all the time.  And as my film gear collection has grown, Dave and I now have a recurring (if sporadic) "show and tell lunch" routine started that is great fun.  

 Now, there's certainly the chance that he and I would have connected in person eventually, but it was the gift of Phil's camera gear that put the pieces in place.  The funny part is, while we all grew up in the same town, and went to the same high school, Phil and Dave don't know each other at all.  But this intersection of the three lives has been a really wonderful new part of my life these last couple of years.

 

If anyone had ever told me... (first in a series)

... when I was in elementary school that I would one day end up in theatre, and even on stage, acting, I would have thought they were crazy.  For that matter, I'm pretty sure my family was shocked when they saw me on stage and later building a career in the performing arts.  My ultimate path took me off the stage and behind the scenes, but early on, I actually considered a career as an actor.

 This is the first of what I hope will be a short series of posts, all about aspects of my life that have turned out in ways I wouldn't have expected at an earlier time.  I'm using it as a tool to get my writing revved up again, as that's something I really want to do this year.  And while this blog has been sputtering for a while, it seems like it might be a good tool in my toolbox to get that going.

So, here goes...

How the heck did I end up on stage?

To start with, I should explain I was a VERY shy kid.  To this day, I'm pretty much the classic introvert, preferring my own company and MAYBE the company of a few select people, preferably no more than two or three at a time.   In elementary school, I was the sensitive kid, the kid who loved to read, didn't really do sports, and was quiet and shy, to the extent that one teacher seriously suggested my mom take me to see a child psychologist.  Thankfully, mom chose to ignore that, and other teachers and students saw aspects of me that helped bring me out of my shell a bit.  Still, I was definitely in the "quiet" category at the start of junior high.

Then one day I got a phone call from my best friend Peter, saying "the drama club is covering flats tomorrow, and I'm going to help, do you want to come?"  I had NO idea what any of that meant... I didn't even know there was such a thing as drama club at that point, let alone what "covering flats" was, but it was my best buddy asking, so I went.  I quickly learned what a flat was and a lot more about putting on a show, and found it fascinating and fun.

I was happily discovering the whole new world of the "backstage" side of theatre when somehow or other, I ended up auditioning for a part in a play.  I think the faculty advisor (oddly enough, a science teacher) talked me into trying out.  Much to my surprise, I ended up landing a pretty big role, as a detective in a murder mystery who turns out to have been the killer.  After that, I tried out again, for yet another "murder mystery" which was more of a farce, where yet again, I was the killer.  This time though, the victim was a mouse and my character did away with him with a mouse trap and piece of cheese.  Hey, it was junior high, we were NOT doing the classics by any means.

Now, how did a shy kid find the gumption to step onto a stage in front of an audience and not just utterly freeze in terror?  It's a funny thing, and I know a lot of actors over the years have said this, but if you succeed in getting yourself into the head of the character, and the reality of what is happening on stage, the audience loses its threatening nature, and you don't really worry about them.  And luckily, our drama club leader was very good at teaching us about being in character and other acting skills, for which I will always be grateful.  It really was a major step in my life, giving me confidence I never had before.

Starting high school, I discovered that not only was there a drama club, but a series of three drama classes you could take, and I took all three years.  Starting out with small roles, I worked my way into playing a few lead roles in both comedies and dramas over the three years of high school, including the hysterically funny "The Mouse that Roared" and the far-too-weighty-for-high-school-actors "The Heiress", in which I struggled to portray an overbearing father who was slowly but surely dying of consumption or something like that.  In the midst of all that, I also got a chance to branch out into community theatre, in the role of Prince John in The Lion in Winter.  This did a lot to improve my confidence, acting alongside adult actors with a lot more experience than I had.

All this time I had also continued my work back stage, primarily in the set construction side of things.  I wasn't ever really a "wood shop" kind of kid, and my dad wasn't one of those classic fathers who built things in the garage all the time.  Now I found myself wielding saws and hammers and learning an awful lot about how to make something realistic looking from wood, fabric, and paint.  I honestly found it as rewarding and fun as acting was, and in some ways a lot less stressful.

When it was time to pick a college, I focused on schools with good theatre programs, and thanks to an academic scholarship, I landed at Towson State University in the fall of 1979.  For the first year or so, I worked a double track of acting and technical theatre, and found both really fun and challenging.  Over time, however, I began to think about the reality of just how many people end up chasing a very small number of paid acting jobs, versus the number of people needed to do all the rest of the work.  I had already started slowly leaning toward the backstage side of things when the head of that program nudged me, telling me I really needed to decide which path I wanted, if I was going to succeed at either.

As much as I enjoyed acting, I knew I was good, but not exceptional, in a field where exceptional people often end up waiting tables to make ends meet.  I had also discovered I truly loved lighting design, and the art and science of technical direction was becoming more and more fascinating to me.  So I made my choice and through the end of college, I followed that path.

Graduation came, and I already had a job at a community college, running the backstage operations for visiting performance groups and helping out with the theatre department shows.  This was followed by enrolling in an MFA program in Technical Design and Production at the Yale School of Drama, where I really learned what it took to make a show happen from the backstage side of things.  It was an exhausting and exhaustive three years, leaving me with knowledge, memories and friendships I will always cherish.  If some people look back on high school as the "best" part of their lives, I would have to pick the three years in New Haven as, if not best, the most pivotal time of my life.

After grad school, I held a number of jobs as a technical director at both professional and academic institutions. I taught for about a dozen years, passing on  my knowledge and I hope my love of the work onto another generation.  I worked in tiny theatres, huge theatres, small state colleges, and prestigious private universities widely known for their theatre training programs. I helped mount so many shows I've long ago lost count, and there are a lot of them I look back proudly on.

On the other hand, the hours and generally lousy pay, coupled with the stress, ultimately got to me,  driving me out of the field, but that's a story for another day.

And it all started with a random, chance phone call from a friend.